In short essays gathered under the title “A Retrospect”, Ezra Pound makes the following observation of rhythm in poetry: “I believe in an ‘absolute rhythm’, a rhythm, that is in poetry which corresponds to the emotion or the shade of emotion to be expressed. A man’s rhythm must be interpretive.” Analyze the ways in which rhythm becomes “interpretive”-ie. seems relevant or essential to the intellectual and emotional content of the poem- in the works of at least two of the following “imagistes” (Pound, Flint, Aldington or Fletcher). Bear in mind that a poem’s rhythm resides not just in an arrangement of stressed and unstressed syllables and the resultant effects of stress-timing, but also in line length, lineal effects (enjambment, end-stopping, end-pausing) and syntax.