Are you able to assist with above topic? You should consider: keys, sections, thematic material and its
development, harmony in broad terms including end of section cadences, main modulations, climaxes,
particular musical features and overall form. Remember to relate your written analysis to your musical
interpretation: What picture are you painting? Or is there a story line? For example: “The piece opens in B
minor, with an introduction [bars 1-5] comprising a quiet, reflective right-hand melody played over gentle, lefthand broken chords (G, A and Bm). It is suggestive of a narrator bringing to mind the story he is just about to
tell etc. etc. .” Also a comparison of two recordings of your piece by other artists considering differences in
interpretation as evidenced by tempo, tone colour, phrasing, articulation, dynamics, pedalling etc.